Thursday, December 26, 2013
27 albums you didn't hear this year
Via RollingStone http://www.rollingstone.com/music/lists/27-best-albums-you-didnt-hear-in-2013-20131223
Friday, December 13, 2013
@Beyonce is the spoiler
Well the scene has changed in the last 18 hours. Certainly this effort rates. I'm still processing the record but it is certain that 2013 is not nearly done. #allthelists
My 10 best of 2013 (if interested)
1. The Front Bottoms ‘Talon of the Hawk’
An excellent album teeming with infectious hooks. Definitely the album I have returned to the most this year.
2. Bill Callahan ‘Dream River’
This album is a return to form for Callahan. It is my favorite of his since Red Apple Falls back in the Smog days.
3. Foxygen ‘We Are The 21st Century Ambassadors of Peace and Magic’
4. CHVRCHES ‘The Bones of What You Believe’
Wonderful beats, excellent pop sensibility, leave it on repeat for a while
5. Kurt Vile ‘Walkin on a Pretty Daze’
Complex, sprawling, understated in just the right ways.
6. Laura Marling ‘Once I was an Eagle’
I cannot help but thinking of Nick Drake when listening to Marling. She has updated UK folk without losing the core that makes it unique.
7. HAIM ‘Days are Gone’
Playful, fun, energetic. I look forward to see where they go with this sound.
8. James Blake ‘Overgrown’
Blake continues to develop. The influences and constructions here show a range well beyond his years.
9. Flaming Lips ‘The Terror’
I keep coming back to this album. A sonic masterpiece.
10. Atoms For Peace ‘Amok’
I have devoted love of Thom’s abilities as an artist. Amok is another excellent piece from his crew.
Thursday, December 12, 2013
Daughter at the Tiny Desk
I think I have posted this before but "Youth" has been haunting me the past few weeks and this is an exquisite version.
Tuesday, December 10, 2013
Monday, December 9, 2013
Friday, December 6, 2013
Thursday, December 5, 2013
Wednesday, December 4, 2013
Ugh.
Why are Lucius and the Front Bottoms both playing on the same night. Oh well. Next time Lucius.
Paste 50 best of 2013 Spotify playlist
Tuesday, December 3, 2013
Monday, December 2, 2013
Tuesday, November 26, 2013
Monday, November 25, 2013
Friday, November 22, 2013
Thursday, November 21, 2013
PS4 so far
I have to give kudos to Sony for a great launch week. So far I've played Killzone, Knack, Assassin's Creed IV, Contrast, Resogun, Super Motherload and the HD Flower. It seems telling to me that the games I have enjoyed the most are the independent games. Killzone and Knack deliver exactly what you'd expect and have been well reviewed elsewhere. Contrast, Super Motherload and Resogun have occupied the lion's share of my time. Super Motherload has the perfect balance of risk and reward and to my mind is the best thing I've played on the PS4 so far. Resogun dominated the box Friday night, it is a great game for passing the controller around the room. Contrast, despite the bugs, is charming and inventive. The AAA releases haven't done much for me so far, it's a shame that Watch Dogs was delayed as I think that would have made for a stronger launch for both consoles. Killzone and Knack are both visually stunning but haven't shown me anything new in terms of gameplay. All that said, the offerings are relatively solid. Back to Motherload.
Arcade Fire and the Costume Request
Is it really that difficult to dress up or put together a costume? Chill out and have fun. @Arcadefire I wish you hadn't skipped over New Orleans on this tour, we know how to do costumes.
Wednesday, November 20, 2013
Tuesday, November 19, 2013
Monday, November 18, 2013
Thursday, November 14, 2013
Excellent looking 8-bit survival horror
via Kotaku These will always be the games that I have the fondest memories of. I'm glad to see a return to this style.
Wednesday, November 13, 2013
Tuesday, November 12, 2013
Friday, November 8, 2013
Thursday, November 7, 2013
Wednesday, November 6, 2013
Tuesday, November 5, 2013
Monday, November 4, 2013
Friday, November 1, 2013
Thursday, October 31, 2013
Wednesday, October 30, 2013
Tuesday, October 29, 2013
Mercury Prize announcement tomorrow.
Monday, October 28, 2013
Friday, October 25, 2013
Lightbeam for Firefox
See which services are watching you browse. After using it this morning, I can say it's more that you imagine.
Thursday, October 24, 2013
NME releases their top 500
I am just beginning my digestion of this list, but the top twenty are pretty solid. A bit pop centric certainly, but I'm ok with that. I certainly did not expect to see The Smiths "The Queen is Dead" at number 1.
Monday, October 21, 2013
Dump from CoS
Monday, October 14, 2013
Wednesday, October 9, 2013
Tuesday, October 8, 2013
Monday, October 7, 2013
Thursday, October 3, 2013
Tuesday, October 1, 2013
Sunday, September 29, 2013
Wednesday, September 25, 2013
Monday, September 23, 2013
Friday, September 20, 2013
Jenny Hval Covers Paul Simon's "The Cool, Cool River"
This is one of my favorite Simon tunes, but I really like this cover. I took me a second to see where she was taking it, but a perfect match.
Tuesday, September 17, 2013
Monday, September 16, 2013
New Music Dump
new Fout Tet
Stream the new Mazzy Star album (thanks NPR)
Stream the full length Chvrches album (thanks NPR)
Stream the new Mazzy Star album (thanks NPR)
Stream the full length Chvrches album (thanks NPR)
Thursday, September 12, 2013
Monday, September 9, 2013
Wednesday, September 4, 2013
Tuesday, September 3, 2013
Thursday, August 29, 2013
Trent Reznor, This is why we love you.
"I’m not saying offering things for free or pay-what-you-can is wrong. I’m saying my personal feeling is that my album’s not a dime. It’s not a buck. I made it as well as I could, and it costs 10 bucks, or go fuck yourself.”
From Neil Young's book, speaking of Crazy Horse
"This is very important. Don't spook the Horse. That is very essential to the success of any ride. The Horse will head for the barn if it is spooked, and the music will continue but not have that magic that the Horse possesses. Any ride on the Horse must not have a destination. History has shown that the best way to spook the Horse is to tell it what to do or where to go or, even worse, how to get there. You must not speak directly to the Horse or ever look the Horse in the eyes until the ride is over and the Horse is secured in the barn. It is okay to talk to the Horse directly, but care must be taken to have respect for the muse when discussing anything with the Horse. The Horse and the muse are very good friends. Disrespect for the muse will piss off the Horse, and possibly vice versa, although that is hard to prove. The Horse has met no equal, although there undoubtedly is an equal to the Horse out there somewhere. The Horse knows this well and will not tolerate anyone who is overly complimentary to the point of excluding other friends of the muse in a misguided attempt to gain the Horse's favor. That is absolutely not the thing to do, as it makes the Horse think, and that has a bad effect generally. The Horse has a voracious appetite. The songs the Horse likes to consume are always heartfelt and do not need to have anything fancy associated with them. The Horse is very suspicious of tricks. Keeping these simple guidelines in place is always a good idea when approaching the Horse for any reason."
-Neil Young Waging Heavy Peace
After seeing The Horse on the tour immediately following his writing this, I see exactly what he means.
Wednesday, August 28, 2013
Tuesday, August 27, 2013
Another good day for music
Friday, August 23, 2013
Thursday, August 22, 2013
Tuesday, August 20, 2013
In which I leave town for 3 days
and apparently everything happens:
New Spiritualized Video
NPR first listen of the new Neko Case
Tears for Fears cover Arcade Fire (this one is well worth your time)
New Nine Inch Nails
and a Beavis and Butthead mod for Civ 5
ugh.
New Spiritualized Video
NPR first listen of the new Neko Case
Tears for Fears cover Arcade Fire (this one is well worth your time)
New Nine Inch Nails
and a Beavis and Butthead mod for Civ 5
ugh.
Thursday, August 15, 2013
Video Game Criticism vs Review
These are just a few thoughts on the recent Sarkeesian video. Last week I made the mistake of wandering into the comments on Kotaku surrounding the latest Damsel in Distress video. It seems that as a community those of us who play games have a very difficult time separating a review of a game from a cultural critique of a game. The mechanics of a game can be excellent, the plot engaging and the characters well developed while the game simultaneously possesses cultural signifiers that may be troubling to a portion of the players. In fact as we demand greater complexity of games, we can hope that they become more culturally aware and complex as well. We are used to thinking of games in terms of the review--an expert giving the reader context for their experience and enjoyment of the game. In this context negative comments can easily make or break a title depending on the reviewer/publication. Now that our games are growing up and ourselves along with them, we are beginning to see a public, academic and non-academic analysis of these games. This analysis can only help us understand the games we play and help designers understand what it is we want from them. Just as in literature or film, a critical essay or in this case video is just one person's analysis of the cultural impact of a text/film/game/etc. It would seem that the correct response or the response that will help games grow the most would be a well reasoned critique from one's own perspective. Where does one disagree? Why? and so forth. It is difficult to write about culture, especially cultural objects that we feel strongly about; but we must separate our love of the thing for the place it holds in our lives from the unconscious messages it may be contributing to our shared cultural spaces. Personally, I have my own objections to Sarkeesian's videos in that I think it is quite difficult to extract the role of the female in video games from the role of the female in geek culture as a whole (something she personally experienced with the launch of this series). But then again we have to start the discussion somewhere...more to follow.
A day for links
Wednesday, August 14, 2013
Thursday, August 8, 2013
Wednesday, August 7, 2013
Thursday, August 1, 2013
Monday, July 29, 2013
Thursday, July 18, 2013
Wednesday, July 17, 2013
Tuesday, July 16, 2013
Wednesday, July 10, 2013
At least the robot is not playing drop7 on hardcore mode
http://kotaku.com/http-www-youtube-com-watch-v-vtnzgpbgnnq-latest-sign-735257582
Spectacular
http://dangerousminds.net/comments/society_of_the_spectacular_toys_guy_debord_situationist_action_figure
Tuesday, July 2, 2013
This image is perfect
http://kotaku.com/half-life-conspiracy-theorists-youre-the-best-kind-of-643060335
Oh and this is just funny
http://consequenceofsound.net/2013/07/tiesto-rips-into-daft-punk-im-destroying-them-now/
Staggering but relatively expected report about gaming on youtube
http://kotaku.com/gamers-you-rely-on-youtube-642009402
Friday, June 21, 2013
Wednesday, June 19, 2013
Bonnaroo excellence
There will be a full update on Roo soon, but for now I leave you with this. I will forever love Weird Al for this moment.
Friday, May 31, 2013
It's an embarrassment of music today.
So many good new tracks to try out today.
I just finished streaming the new Portugal. The Man record here. This is a fantastic offering from a band that has captured my attention for the past few years. Evil Friends is a more complete album, filling out their sound and definitely honing the sinister edge we've come to expect from them. "Creep in a T-Shirt" (a song that accurately described my weekend in Detroit for Movement) will be rattling around my playlists all summer.
On to the new Disclosure record.
I just finished streaming the new Portugal. The Man record here. This is a fantastic offering from a band that has captured my attention for the past few years. Evil Friends is a more complete album, filling out their sound and definitely honing the sinister edge we've come to expect from them. "Creep in a T-Shirt" (a song that accurately described my weekend in Detroit for Movement) will be rattling around my playlists all summer.
On to the new Disclosure record.
Wednesday, May 22, 2013
Hangout Redeemed
After a 2012 festival that left our group a bit cold we were apprehensive about the future of Gulf Shores' Hangout Fest. This year was a different matter entirely, it also included a Friday schedule which was just about perfect to my tastes.
Highlights in chronological order:
- Ra Ra Riot: This was a perfect first set for our group. Somehow I have never managed to see this group before, they were even more high energy in person.
- Luella and the Sun: An excellent stop at the BMI stage which is nestled in the Hangout bar itself. We grabbed a bit of shade and a couple of mixed drinks while the heat of the day washed past.
- Dirty Projectors: Another band I was seeing for the first time. The fact that an album as complex as Swing Lo Magellan can translate so effortlessly to the stage was a beautiful thing.
- Tom Petty and the Heartbreakers: One of my all time favorite bands, Tom always seems to bring it for the festival shows. This show was considerably better than the Jazzfest set last year, I think the afternoon heat got to Tom a bit as compared to the evening set he played at Hangout.
- Yeah Yeah Yeahs: This was the standard high energy YYY show, my real joy in this set was experiencing them through friends who were coming to the band for the first time.
Thursday, May 9, 2013
DJ Frane is back!
This is just a note that DJ Frane has a new album out this week. Frane has been on the bleeding edge of sample orchestration since he released Fantastic Boatride in 1999. Each album is worth the multi-year wait and Hi Dusty Stranger is no exception. His albums are thematic journies constructed through rich tapestries of perfectly tweaked samples--remixes of the highest caliber. Welcome back Frane.
Tuesday, April 30, 2013
Tuesday, April 23, 2013
Seems a fitting start...
As a firm believer in opening with a song, here is Jack White in his Third Man Recording Booth covering Loretta Lynn's "Coal Miner's Daughter". This is/will be a blog about media, hopefully looking to the impact that medium has on our understanding of content/context/message. What better way to begin that conversation than with an example of the turn back to analog, at least in terms of the production of sound. I will never hear the original vinyl record that Jack's booth made as he played that song, yet the context is preserved for me digitally--especially with regard to the method of production. This site is nothing but musings upon these sorts of moments, some more detailed, some simply links.
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